Showing posts with label Donna Feore. Show all posts
Showing posts with label Donna Feore. Show all posts

Dressed with a Smile: 2025 Musical Annie Review at the Stratford Festival Theatre

       
                           
It was another evening at the Stratford Festival Theatre with our tickets in hand, ready to head to our seats. This time with tickets to see Annie, directed and choreographed by Donna Feore.


Highlights:                                                                                                                                                                                           
👉Harper Rae Asch was fantastic as Annie. Her bright red curly hair, bubbly personality that didn’t miss a beat throughout the whole show and incredible vocals earned a well-deserved standing ovation. 

👉Kids performances (Cast)  were incredible to watch especially during It’s the Hard Knock Life. A specific stand-out was Cydnee Abbott, who plays Pepper. (interesting note, she holds the Guinness World Record for the most full-body revolutions in a backbend in 1 minute!)           

👉Miss Hannigan (Laura Conlin) what a gem. I couldn’t help but feel that she really embodied the spirit of Carol Burnett with impeccable comedic flair. 

👉Mark Uhre and Amanda Lundgren who play Rooster Hannigan and Lily St. Regis were a fun energetic duo and convincing on stage together as swindlers trying to pose as Annie’s biological parents in return for $50,000. 
                 
👉The song “NYC” – The scene set and lighting for this one really set the tone of New York City. Probably one of my favourites. I’m still humming the tune.

A few missteps to address...

👉I didn’t quite feel the connection between Annie and Oliver Warbucks (played by Dan Chameroy) in the second act, even during what would have been considered the emotional moments. I have seen Dan perform in many other productions in Stratford, believing his character to a tee, but this one didn’t convince me of a father figure in the end, way more believable in his role as the billionaire, Oliver Warbucks.

👉Some scenes in the second act felt rushed and the over-enthusiasm of Warbuck’s staff being so thrilled to be not only at his beck and call, but now to Annie felt a little odd as they danced around gleefully– as if they didn’t have any other purpose.  

👎Pet peeve theatre moment:  Despite the announcements to turn off all devices, I don’t think some people got the memo clear enough near where we were seating. Scrolling endlessly (not just a quick check if you absolutely must) on one’s phone during a performance or playing a game (Wordle can wait, trust me) is not just annoying to patrons who have to see your phone light up in the dark, but also just rude to performers on stage!  

Usually there would be quite a few ushers abound to nip this in the bud but there was no one near us and we didn’t want to have to get up to find someone outside and miss parts of the show. Luckily there were some unattended seats away from the unnerving cell scrollers which we grabbed (and noticed another couple doing the same)  so we could enjoy the rest of the show.

Final thoughts:
        
Overall, this musical production of Annie with wonderful singing, incredible energetic dance sequences will no doubt make you smile and feel happy that a small change of heart can make a world of difference through a child’s eyes. 

Some of the themes of desperation and despair are indeed overshadowed by catchy song numbers draped in sheer optimism that many kids in reality will unlikely experience. However, what is very apparent is the idea of one little girl’s strength (Annie), to never give up hope for a brighter tomorrow.

💜 Book now! Tickets for Annie and other performances are available here: Stratford Festival



Returned favourites and some new spots for us to explore in Stratford
Nature continues to be quite healing for me especially in dealing with the complexity of grief. 





Dinner at our favourite spot: Fellini's 

They Had It Comin’: 2022 Stratford’s Chicago Review

Stratford's Festival Theatre

Directed and choreographed by Donna Feore, along with Music Director Franklin Brasz, Chicago is set in the Roaring Twenties era and checks off all the boxes of showcasing a crime-inspired musical that’s full of corruption, murder and chaos. So take your seat because you’re in for the time of your life here at the Stratford Festival Theatre, with the dazzling production of Chicago.

Many of the dance numbers were very catchy, almost to the point where you could sing along if you didn’t already know the tunes, and then combined with the dynamic choreography performed by many of the cast of talented Gangsters all the way to the Razzle Dazzle Dancers, it’s perfection. Songs like, Razzle Dazzle, All That Jazz and Cell Block Tango exploded on stage.

Let’s not forget the gorgeous costume designs as well by Dana Osborne, from well-crafted suits to sultry and sparkly vaudeville outfits. The set design by Michael Gianfrancesco oozed smokey jazz bar days, where prohibition went well with a cup of coffee and a bit of mayhem.

In this story, two of the lead prison inmates and fame-seekers, Chelsea Preston as Roxie Hart and Jennifer Rider-Shaw as Velma Kelly were deeply committed to their performances and engaging. Their characters were both trigger-happy (thus being jailed for crimes of passion), seemingly coming across as rivals, as one never likes to share the spotlight. However, by intermission, it’s a sure thing that the commonalities of bringing down their scuzzy lawyer, Billy Flynn, (played brilliantly by Dan Chameroy) is paramount to their freedom and success to overthrow the constraints of societal expectations.

With many surprises along the way that I won’t spoil, a few things really stood out:

👉The shocking and stunning operatic vocals of reporter, Mary Sunshine, played by Robert Markus.

👉Dan Chameroy ignited the stage as sleazy lawyer, Billy Flynn, with a sheer spectacular performance from start to finish in the song “All I Care About.” Commanding a stage is very hard to do, many try, few succeed, yet Dan succeeds every time I have seen him perform. The most recent one before the pandemic struck was in the cult-favourite, The Rocky Horror Picture Show.

👉Then we have Steve Ross (I loved him in HMS Pinafore). This role was made for him, as Steve gives one most touching performances as Amos Hart, Roxie’s rather clueless, gullible yet lonesome husband. Mr. Cellophane was clearly made for this man to perform. As we hear the entire audience let out an “awww” as he exits the stage, we need a minute to take in a breath to appreciate what we just experienced in our thoughts and collectively as audience members.

👉Again, all the dancers who complemented so many scenes. Incredible stamina, flexibility, precision and energy.

After 2 years of not being able to see any performances due to the pandemic, walking through the Festival Theatre doors again was an utter joy for myself and my husband. Seeing Chicago was a perfect way to not only celebrate our 14th anniversary together, but to enjoy world-class entertainment and you know... all that jazz. 


Check out the link below for current productions and what's happening for the exciting 2023 season!

💜Official website: https://www.stratfordfestival.ca/